The tone uses a CTS no-load potentiometer such as installed on Fender American series electric guitars, this 250K no-load potentiometer functions as a normal tone control from 1 to 9. The volume uses a Treble Bleed system to preserve high frequency at lower volume. They are made of Plain Enamel 42 AWG wire and have Alnico 2 magnets which due to their high magnetism allow you to high magnetism will allow you to reach saturation levels and a a devastating grain typical of the 70's and thus to make howl in this case Fuzz pedals! If you like the legendary bands of those years, this set is made for you! They have the ability to produce vintage fingerprints typical of the 60's strat and especially the L series with velvety clean sounds and biting crunch. The pickups of the Voodoo 60' set are very warm, dynamic and articulate. The guitar is equipped with hand-wound Asyllum pickups made in France by Christophe Gaudin, expert in vintage pickups. It has an inverted neck in reference to the artist who played with his guitar upside down. The original was red but this one is green. The design of this guitar is inspired by the one painted and burned by Jimi Hendrix during the Monterey festival in 1967. The volume uses a Treble Bleed system to preserve high frequencies at low volume.
In single-coil mode it provides a more dynamic sound, close to a P90, perfect for Rock. In double coil mode it provides a round and warm sound perfect for Jazz or Blues. It is splittable using a push-push on the tone knob. On the neck side, it is also a hand-wound Dreamsong humbucker.
#Gotoh vintage locking tuners bluex full#
It's a pickup full of character, with a good propensity for crunch, all of which gives this mic an excellent natural sustain, full of character and overtones. This microphone made according to the specifications of the first Fender microphones for Telecaster has a powerful and round sound, without losing definition in the treble. The guitar is equipped on the bridge side with a hand-wound Dreamsongs Broadcaster pickup. It has a Wenge neck, also called African Rosewood, which requires no varnish.Ī Bigsby licensed vibrato reinforces its very assertive character. The body of this guitar is an amazing artwork made by Céleste Déodati inspired by graphic designer Shepard Fairey and using images courtesy of Obey Giant. Constructed with Alnico 2 magnets and a single conductor braided shield lead wire. And while the output is similar to a P-90 you get enhanced clarity and chime without losing any of the grit and power. This pickup offers P-90 tonality with a little less mid-range and a more open sound. On the neck side, it is equiped with a Lollar Novel 90. This combination results in an all-around well-balanced pickup with traditional output that delivers all the twang and pop of a great Tele with none of the “ice pick” treble. The Alnico 2 rods positioned under the G, B, and E strings provide a sweetened treble response, while the Alnico 5 rods under the low E, A, and D strings contribute a bright, snappy tone with enhanced midrange and articulation. We came up with a mixture of Alnico 2 and Alnico 5 rod magnets that delivers the best of both worlds. This pickup was originally designed for Nashville studio players who wanted a classic Telecaster pickup that could produce a softer treble attack on the high strings while retaining all of the articulate snap on the low strings. It is equipped on the bridge side with a Seymour Duncan Five-Two. This guitar offers a beautiful vintage look with its double-bound sunburst 2-tone body. The output level is similar to a P90 or a P.A.F.
The sound is fat with a velvety warmth, slightly fuzzy when pushed to volume. On the neck side, a Charlie Christian pickup delivers a great warm, defined, thick and very complex sound it is deeper, bigger and thicker than the typical single coil, but without losing definition.
A pickup full of character, with a good propensity for crunch, all of which gives this pickup excellent natural sustain, full of character and overtones. On the bridge side, it is a Broadcaster made to the specifications of the first Fender Telecaster pickups, the Broadcaster Tele Bridge has a powerful and round sound, without losing definition in the highs. It is equipped with two hand-wound Dreamsongs pickups. The quality of the crafting is very high-end with stainless Cupronickel frets, real mother-of-pearl markers and a bone nut. The finish is made with a vintage oiled tint giving it a silky touch of extreme softness. All the fibers of the wood are admirably aligned. Its neck is a gorgious piece of wood cut in the quarter (quarter sawn) of a rock maple. This partcaster features a very nice ash body with a beautiful wood grain.
0 kommentar(er)
